Otello

Fr 16.4.27 Tu 20.4.27 Su 25.4.27 We 28.4.27 Su 2.5.27
Otello
Fr 16.4.27, 18:00
from € 33
Premiere | Large house
Otello
Tu 20.4.27, 19:30
from € 28
Large house
Otello
Su 25.4.27, 16:00
from € 28
Large house
Otello
We 28.4.27, 19:30
from € 28
Large house
Otello
Su 2.5.27, 16:00
from € 28
Large house

Dramma lirico by Giuseppe Verdi

Opera Large house

Conductor
Stage design
Monika Korpa
Costume design
MAREUNROL’S .
Light design
Felice Ross
Chorus direction
Dramaturgy
Kata Wéber

Conductor
Stage design
Monika Korpa
Costume design
MAREUNROL’S .
Light design
Felice Ross
Chorus direction
Dramaturgy
Kata Wéber

Conductor
Stage design
Monika Korpa
Costume design
MAREUNROL’S .
Light design
Felice Ross
Chorus direction
Dramaturgy
Kata Wéber

Conductor
Stage design
Monika Korpa
Costume design
MAREUNROL’S .
Light design
Felice Ross
Chorus direction
Dramaturgy
Kata Wéber

Conductor
Stage design
Monika Korpa
Costume design
MAREUNROL’S .
Light design
Felice Ross
Chorus direction
Dramaturgy
Kata Wéber

Dramma lirico in four acts by Giuseppe Verdi
Libretto by Arrigo Boito based on Shakespeare's tragedy Othello, The Moor of Venice
First performed on 5 February 1887 in Milan
Premiere at the Deutsche Oper Berlin on 16 April 2027

Few figures in world literature embody so many tragic contradictions: Otello is both perpetrator and victim, hunter and prey – the bloodthirsty murderer of his beloved Desdemona, yet also at the mercy of the demonic manipulation of his secret adversary, Iago. Verdi’s operatic version further intensifies the gruesome outcome, as the scheming villain escapes. Kornél Mundruczó makes his debut at Deutsche Oper Berlin with this new production of Otello. His meteoric career in the film industry has garnered him awards at the Cannes and Venice Film Festivals and success on Netflix. Since Aviel Cahn discovered him for musical theatre with Herzog Blaubart/Winterreise in 2013, the internationally acclaimed director has increasingly turned his attention to opera. His psychedelic imagery and exceptional integration of film lend new impetus to the genre and are ideally suited to bringing us closer to the delusional inner world of the character Otello: Mundruczó leads us directly into the protagonist’s psychological abyss. When Verdi began his second Shakespearean setting, he had not dedicated himself to a major new composition for over ten years. The collaboration with Arrigo Boito resulted in a work that occupies a special place in Verdi’s oeuvre. The orchestra gains importance for characterisation and atmospheric development, becoming a fundamental driving force of the action. On the podium is Stefano Montanari, a specialist in early Italian opera; he demonstrated his sensitivity to Verdi’s late works with a fresh approach in a celebrated Otello at the Stuttgart State Opera. With the role of Otello, which demands everything from heroic radiance to lyrical tenderness and even violent outbursts beyond mere beauty of sound, Verdi shattered the conventions of traditional vocal categories. Najmiddin Mavlyanov, in demand worldwide for dramatic tenor roles in the Italian and Russian repertoire, brings all of this to the role. Alongside him, Ruzan Mantashyan makes her debut as Desdemona. Luca Micheletti is playing Iago for the first time outside his native Italy.
Accompanying programme Introduction to the work: 45 minutes before the performance in the Rang Foyer on the right
LanguageIn Italian language with German surtitles
Duration3 hours / including an interval after approx. 75 minutes
Age recommendationrecommended from age 15

«Otello»

New productions 26/27